Tracey Hirsch
4:00pm August
that too hot afternoon feeling
when out of sorts was coined
decisions wither and indifference reigns
the sun’s sharp kiss violent and insistent
pushes the weary and wary toward the shade
of awnings and alleyways
where rancid food scraps and stale urine
conjure summer’s perfume
faded flags and spirits droop in windless skies
shards of abandoned bottles flash on angry
sidewalks and stab through the softened foam
of my worn flip flops
damp underwear wedges between sweaty cheeks
even the pretty girls look boring
Empty Skin 1
flesh over skeleton
held by safety pins
mind vacant of all but
the need to feel nothing
forgetting to breathe
unwilling to move
from the brick wall
separating me
from before
where self once lived
anxiety churns
deep sucking swirls
squeezing a heart
once full
mind once certain
body once able
seconds pass in
hours days hover
before is over
there’s only now
what now
now what
Crossed Line
walk the line
toe the line
lead the line
cut the line
hold the line
toss the line
jump the line
follow the line
run the line
mind the line
but
never
ever
cross the line
rigid finger in my face
eyes brimming
burning hurt
hurling blame
a line that separates
friend rival
amity enemy
nurture neglect
delight deception
appeared with no warning
no flashing light
no crossing guard
an invisible tripwire
I’ll never know if their line was here or there
around that
corner
or in the hand of someone
they used to hold
our lines are crossed
nothing but static now
Tracey Hirsch is a recovering corporate addict who spent 25 years in the communications field, plying her trade at tiny firms and global behemoths before closing that chapter in 2018. She now writes original stories that explore human relationships, human failings and our drive for meaning in our lives.
While she has primarily focused on prose, poetry is a new exploration that emerged during, or as a result of the 2020 pandemic lockdown. As the world became smaller, Hirsh found meaning in considering emotions, notions and experiences through lines of poetry. Her prose is published in Emerge 19 and she lives in Vancouver, Canada with her husband, three sons and Rosie the dog.
- 4:00 pm August is the antithesis to the poems about a perfect summer day of frolicking dogs and soft cool grass. It’s summer in the middle of the city at its oppressive, smelly, unwelcoming realness.
- Crossed Lines is about those so-called lines in the sand we conjure to separate right from wrong, good from bad. Who is the arbiter of those lines and what do they accomplish?
- Empty Skin 1 is a personal account of the end of a relationship. When the relationship ended I realized my sense of self had been sacrificed somewhere along the way. Empty Skin 1 is about starting again at the beginning of self.
Barbara Carter
Catena Rondo
I build myself a house of shells
a home of abandoned houses
with my small white hands
the sea consoles me
it makes hushing sounds
like a mother should
so with my small white hands
I make myself a home of abandoned houses
I build myself a house of shells
The sea surrounds me
and holds me up
like a mother should
and in my own safe house
built with my small white hands
I sit quiet as sunlight
and in my house of abandoned houses
I cradle my small heart in my white hands
and swaddle it with seaweed
criss-cross it with safe salty strands
to protect its rhythm and blues
and hush its rage with sea songs
and with the pointy end of my hand-held heart
I draw the shell house rules in the sea sand
No shunning No should
Only woulds and coulds
Only telling and singing
Allowed here
in my house of shells
my home of abandoned houses
built with my small white hands
Life After Death
of course there’s Jesus
and his god-ish offspring
Elvis at the 7-11
Morrison stalking Père Lachaise
oh and the original Madonna
two millennia gone
now appearing on cheese toast
and post-diluvium walls
I know true believers
who swear to god
that Tupac and maybe Biggie
mete out poetic justice in Mexico
but my favourite resurrectionist
is Jim’s neighbour Victor Noir
whose phallic metal is rubbed raw
by hopeful childless spinsters
they tried to wall the poor guy off
(priapic exhaustion) but the womb-sad women
kept coming, vaulting and tunneling
my niece mounted Victor for a selfie
and now that religion’s stock is dropping
we still seek the afterlife
in vampires and zombies
in holograms at Coachella
and I, riding my white couch
into images and tropes
my pulse beating strong and steady
can’t fathom the miracle of death after life
Aubade
Good morning to what is and to what is not
to crying over milk spilled into empty cereal bowls
and to breaking eggs to make an omelet.
Steam hisses over grounds from high Sumatran hills
filling this kitchen with seven dancing veils of possibility
our sun rising into an uncertain Canadian sky.
West coast songbirds twit and flit around
my feeders and forsythia while
my caged birds sing in the sunroom
and ruffle their immigrant finery in Pacific sea breezes
while icy blasts cross Lake Ontario.
Polar gusts lock native Toronto solid.
A wolf moon rose into last night’s black velvet sky
witchy sounds in the night and a timbrous howl.
Did I say the quiet part out loud? I can only choose
my own adventure in bookstores or libraries
while sorcerous hags spool thread, cackling
as they dance The Slide at fate-night discos.
Barbara Carter is a musician, poet, and an arts advocate and educator. Her work has appeared in many places including Poetry Pause, the YouTube Channel of the Global Peace Alliance, RCLAS magazine, emerge19, and the Poetry of Art at Kariton Gallery. She is an alumnus of SFU’s The Writers Studio, and in addition to poetry, she is working on a memoir of her early years in the Maritimes , Growing Up Army, as well as a murder mystery set in Vancouver 1914, Win. As well, she is collaborating on several projects fusing poetry with the visual arts, jazz, and improvised music.
A mother, a lover of all things creative, and a coddler of two little white dogs, she acknowledges she is living and creating on the traditional unceded territories of the Semiahmoo First Nation and the broader territory of the Coast Salish Peoples. Born in Toronto, she has lived across Canada, from Nova Scotia through Quebec and Ontario, finally finding a home in White Rock, B.C.
J.G. Chayko
Class of 90
Dear Spencer,
I hope you don’t mind my writing you. I mean you did give me your phone number, remember? You wrote it in my school annual just before graduation. I wasn’t sure if I should just call, so I’m writing you instead.
So, how are you? You’re probably wondering why I’m writing to you after all this time, but I was at a jazz concert the other night and there was this amazing saxophone player…I mean really amazing…and he reminded me of you. Do you remember jazz choir? That’s where we met. In grade eleven. I loved watching you put your saxophone together. You would pull out each piece from your big black case and polish each one before twisting it into place. You would lean over it, almost as if you were whispering to it, and then you’d look up at me and smile. I could almost feel your lips on my cheek. You treated it with such reverence.
You always had a smile for me, didn’t you? There was some interest there, I think, especially when I was on stage singing those jazzy tunes. I guess I got the message alright, but you know I was always dating the athletes, at least until I tired of them. I wasn’t looking to make a commitment that would stop me from my Broadway dreams (I almost got there by the way).
There was interest on your end, wasn’t there? Yeah, I think so. Sorry I was too distracted to notice. Are you married? Do you have a family? Of course, you must. A guy like you wouldn’t stay single for long. I was married once but it didn’t last. I think it was expected, you know, after five years together. The next logical step. I admit, I enjoyed wearing that strapless gorgeous designer wedding dress with a full princess skirt and dropped waist decked with pearls. It was stunning if I do say so myself. I was the star for that glorious night. Of course, it would have been nice if that star power had continued for the rest of the relationship.
I bet it would have been different with you. I remember the day you gave me your number. I remember smiling when I saw it, thinking how nice it was and that I might call you. I never did, but I guess you would know that wouldn’t you? Sorry. I think you could have been a kindred spirit. Better than my second relationship. He had potential, that’s for sure. He was kind, like you, and he genuinely seemed to want to make things work, but he never made it down the right path. He kept to himself, didn’t pay much attention to me. We never did those things couples should do – you know romantic dinners, movies, walks on the beach. He’d come home from work, eat, get into bed and watch television. Dinner was quick and conversation was a series of grunts I couldn’t interpret. He was always tired. Turned out he was clinically depressed but refused to get help. He was almost the one, but I couldn’t tolerate the gloom. I suppose that makes me a coward, doesn’t it? But you got to do what you got to do, right? Survival of the fittest and all that jazz. Did he really expect me to shrivel away and be that miserable with him?
Dear Spencer, did you ever have any idea how hard relationships would be? I suppose you do have a great wife and family. I wonder what my life would have been like if we had dated. I guess most people from school have families now, don’t they? Do you have kids? I kind of imagine you with a family like The Sound of Music or The Partridge Family, because music is so important to you, and so it would have to be important to your wife and kids.
My next relationship was a rebound. Funny, I never saw myself as the rebound type, but I guess it kind of sneaks up on you. I thought he was dashing and worldly and we were both actors, so it seemed to make sense – except it didn’t. I wasn’t attracted to him as much as I was attracted to the idea of him – somehow, I pictured the romantic notion of two actors making their way in the world, doing what they love – turns out I couldn’t give him what he needed either. I bet you play your wife romantic songs on your saxophone, don’t you? I can see the two of you sitting on a patio overlooking the beach, an open bottle of champagne, your soft melodious notes drifting on the ocean breeze.
You were no athlete, for sure, but there was something. You had charisma. You had your smile. And when you spoke to me, there was always a current rippling in the air. I always wondered why the saxophone was my favourite instrument. It’s sleek and shiny, and has a sexy soulful sound, that sets my heart racing. It me takes back to the glamour of smoky jazz bars, Billie Holliday, and martinis.
Sometimes when the rain streams against the windows in my basement apartment, I hear the melancholy sound of a sax and I think of you. I do apologize for taking so long to express my appreciation for you. You know what they say, it’s never too late. Sometimes it takes a long time to see what’s right in front of you. Sometimes it takes a dark, cold afternoon with the rain hitting your window, echoing through an empty apartment while a saxophone plays in the background.
I hope you are still playing. I find it sad when people give up on their talents. Usually, it’s the pressures of society that make one do that. I should know – it happened to me. I was pressed into having a “normal” job and a “normal life. And really what is normal? Were we ever normal? I don’t think so. I think we were supposed to be something extraordinary. What do you think?
Well, that’s what’s been happening with me. Maybe one day, we’ll catch up on old times over a glass of wine or a cup of coffee. That would be a grand, wouldn’t it? And you could bring your saxophone and we could sing some old tunes. Maybe? Anyway, I’ll be here. Give me ring sometime, okay? I’ve enclosed my number.
Sincerely,
Susie Lincoln, Class of 90.
Go Huskies!
Trousers
He kissed her where the moss, deprived of sunlight, clung to the trees, and the morning dew trickled from the leaves sliding down the strands of her hair, dripping cold onto her bare skin, cooling the sizzle of hot hands.
The bark scratches her shoulder blades, but she feels only the warmth of his mouth over her eager lips. Branches droop overhead covering their naked shadows from the highway above, the ambient noise lost in the echo of their breath.
The weight of their bodies absorbed into the sodden soil as she casts aside her childhood, plunging into womanhood, burning with desire, the sunlight blazing through the trees and every piece of her quivers with new life…
…the zip of his trousers tore through the gulley and the ground surfaced cold and wet beneath her feet.
If We Had Met
If we had met in a jazz bar, I would have been the willowy figure in the green dress, lights shimmering in the strands of my auburn hair. I would be sitting alone at a round table with a dirty martini. You would see me through the haze from your seat at the bar, our eyes would meet during the heat of the saxophone solo. I would tilt my head, give you a glimpse of my slender white neck, and you would accept the invitation, sliding between the crowd, a martini in one hand and scotch in the other. The electricity would fizzle between our fingers as you slide the drink across the table. We would speak with our eyes, our stories written on our face, our future in the touch of our skin. You would light my cigarette, you arm around my waist, guiding me across the floor to the exit…your place or mine…
If we had met on the train, I would be the girl in the blue dress reading a mystery classic, and you would sit across from me, so you could watch me before speaking. You would notice the title of my book and casually remark that it’s a good story. I would look up at you over the pages and smile, pushing my auburn hair off my forehead. We would chat, discover the things we have in common, and at the next stop you would ask if I wanted to continue the conversation over a cup of coffee….
If we had met in the park, I would be wearing a white floral sundress, sitting on the edge of an empty bandstand listening to the wind play strings through the trees. My hat would catch in the breeze and roll along the ground to your feet, where you would bend to pick it up and our hands would touch when you gave it back to me. You would say how lovely my auburn hair looks in the sunlight and I would blush, and then you’d ask me if I liked ice cream and we would stroll through the trees until twilight cast its pink glow over the horizon…
This is how it might have happened….
If we had met…
New Girl
…it smells alien.
filled with eyes that follow every move.
suspicious ambience lurking in the corners.
behind every door.
look at her.
she walks different.
she is too small.
skinny.
doesn’t wear enough make-up.
did my boyfriend just look at her?
she’s kind of pretty.
and that’s what makes her ugly.
close the circle.
she doesn’t belong.
shades of another place.
different rules.
and yet…
the days go by.
she grows to be one of them.
changing her colors.
and now she stands with them.
staring at the new girl.
the outsider…
Martha Warren
Postcard from Montreal
wander the
s t r e e t s
i c y m a r c h w i n d s
d o w n b i s h o p
along saint catherine
gingerly stepping
over garbage
graffiti on the wall
w e e d i s h a r a m
less gritty more busy
traffic blocked on crescent
tourists taking photos
o f t h e m u r a l o f
m o n t r e a l ’ s
favourite son
t-shirt for sale
ifIamfoundwandering
the streets of montreal
please return me to
concordia university
grey nuns’
residence
Fractal Beauty
In algebraic terms,
you are a perfect
fractal set.
Repeating, repeating the
same equation,
over and over.
Repeating, repeating the
same pattern,
again and again,
making for exquisite
math. Our conversations
increase the
magnification of you.
Always you.
The calculations could go
on forever. But I can’t.
I stopped at
ten to the
fifteenth power.
One quadrillion.
That was the measure
of my love for you.
Almost exponential.
reverspective
I look at the picture of us
as I back away
the geometrics shift
funny how our perspectives change
at a forty-five-degree angle
the lines disentangle
yet the horizon remains the same
now I see us differently
exaggeration of your exaggerations
in the picture’s kinetic striations
details of my relentless scrutiny
from straight ahead looking directly on
the mechanics of the optics as drawn shift yet again
my eyes telling me one thing reliably but
my body moving in another direction entirely
I run up close hoping to save it
but the picture goes flat disorientation complete
that’s the genius of reverspective technique
there was a vanishing point at which you literally vanished
the picture of us is simply what I made it
each plane shrinking and expanding
depending on exactly where I’m standing
movement and change
we’re all movement and change
Martha Warren is a writer and poet. Her subjects have ranged from fairy stories, to cooking, to aspects of law. A graduate of Simon Fraser University’s Writer’s Studio, her work has appeared in The League of Canadian Poets’ Poetry Pause and Fresh Voices, Headline Press, the Red Alder Review and others. She enjoys reviewing poetry books for The Poetry Question and is working on her first novel. When not writing, Martha can be found on the snowshoe trails of Cypress Mountain.
www.carnationpublishers.com
@m_warren_writer
- reverspective was inspired by the reverse-perspective painting technique employed by Patrick Hughes, in particular his acrylic on wood, ‘Internity’, in the lobby of the Rosewood Hotel Georgia in Vancouver.
df parizeau
What I Text My Best Friend When I Feel Like Killing Myself
i.
My discontent
with the overrepresentation
of Fire Emblem characters
in Super Smash Brothers
and the ragequit
I feel, every time some sixteen
year old punk, in Ireland,
whips me at a game I’ve
been playing since before
they were born.
ii.
Remember when . . .
we went to
that
and happened
and
and swore
they would never
let us live it down?
iii.
I miss
the pillowbite of your mom’s
perishke, cracklehum
of meatballs frying
on the front left
burner, savoury incense
of chicken thighs
broiling in the oven—
their greasy miasma
engulfing the room.
iv.
The play-by-play
account of the man who came
into the bookstore, pulled
his mask below his
waddle, shaped chapped
lips into “Where is your erotica section?”
v.
How I’d trade
the temperance of the west
coast for the wintersun
of the Prairies; how its rays
illuminate a more palatable
blue.
vi.
List every humdrum
detail of my
day: how many
cups of coffee, minutes spent
doomscrolling; if I brushed
my teeth after every meal.
I recount the precise number
of blackheads I excavated, confess
I haven’t really
been working on any new
projects.
a doctor asks you to point to the number on the chart that best describes your level of pain
- Minimal
You reach
your hand under
the bed—snake around
socks, a forgotten pop
can; plough through old
research papers
and dust bunnies —
feel the exfoliating trust
of a feline friend, settling
into their new home. - Mild
A caustic fizz bubbles
in your auricle. It’s the first day
of summer vacation, the groan
of powerlines has replaced the incessant
grind of your alarm clock. - Uncomfortable
It’s the last day
of your work week, at the secondhand bookstore.
For the third straight
trade-in appointment, a customer
has brought a box full
of Barbara Kingsolver.The J-L shelves of the fiction section
creak their protest. S-U join in
on harmonies, their somber timbre
echoing the memory
last week’s influx of Smiths(see: Alexander McCall, Wilbur, Zadie).
- Moderate
You have pitched
15 innings
across three days, during this weekendtournament in Orleans, Ontario.
There are 2 outs, the bases
are loaded, the count is full.You release
the final pitch
to a noticeable thwap.Your team and coaches
are too excited by the umpire
bellowing STRIKE to notice your arm,dangling like a bungee cord.
- Distracting
You and your lover decide to make homemade pizzas. You spend the afternoon deep in mis-en-place: chopping veggies, grating cheese, letting sauce simmer on the stovetop. Neither of you lathers your hands enough between the of chopping jalapenos and a little heavy petting on the couch, as you wait for your dough to rise. - Distressing
Your best friend hands
you a camera
at your local pub. You count
one-two-and on three, Bruce Dickinson –
yes that Bruce
Dickinson – grabs them
in a headlock that would make the Iron Sheik proud. - Unmanageable
Your grandmother catches a glimpse of your nails, painted gold.
She machine-guns you down with tut-tut-tutting lips.
Wounded, confused, you hardly hear the f-bomb whistle as it tumbles across her dentures. - Intense
You hit a rut in the ice
while skating at summer camp. Your leg
slaps the ice 180 degrees,
like a windshield wiper.You can’t decide
what hurts worse: the needle the emergency
room doctorused to drain the blood
from your synovial cavityor being ignored
by the camp counsellors, who were tending
to the camp princess, bawling because she fell
on her butt. - Severe
Your cousin is three years
younger than youand can’t hold a claw hammer
as well as you can.When you mock him, tell him
he’ll never be as good a carpenteras your grandpa, it takes only a split
second for the skin above your temple to erupt vermillion. - Unable to Move
A doctor
writes you a script
for hydrocodone/paracetamol.You spend the next four
days glued to your bed by DT
sweat, unable to reach
into your nightstandfor a swig of rye.
Your landlord
will find you 2 days
later, lathered in stomach
acid, holding a “rent passed due” notice.
df parizeau (they/them) is a Scottish/Franco-Ontarian editor, writer, and bookseller, who still ties their shoes “bunny-ears” style. Their work has been featured online and in print by publications in Canada, Finland, the UK, and the US.
They currently reside and write on the traditional and unceded land of the Kwantlen, Katzie, and the Semiahmoo nations in so-called Surrey, BC. They are currently working on their first full length manuscript, which explores the dialogue between a body suffering through chronic pain and memory.
Their most recent work has concentrated on observing and considering smaller objects or moments and seeing how they contribute to a larger picture idea. Part of what they think makes poetry unique is that it crystallizes moments, but they often think, ‘what do we do with these individual crystals?’ These two pieces are an attempt to try and map something out of these individual moments.
Jennifer Ashton
I Hear Celestine Cry
I imagine him riding out on horseback with a small bundle of quiet, brown girl in front of him, or maybe going by some sort of carriage through the muddy roads from Xwáýxway to New Westminster in1868, to deposit the little baby with the Sisters of St Mary’s. And then again a year later the same man would ride the same road, with the next girl child; neither of those girls being fit to leave those new walls until they were in their early teens, and ready to be safely married to stout, devout Catholic fellows.
And I am torn.
I know what was happening at that time, but I also know that the girls survived those years, though not without scars, to became beautiful people and intelligent women who raised families in the new world they emerged into; I measure from where I sit in the fast-spinning year of 2021. I don’t know what their fate would have been otherwise, out in that hard and wet world of change; I measure from where I sit, in a cold puddle of hindsight.
I know it was he who took the girls from their Celestine, their mother. It says so in history, I’ve read it, I’ve read his name there, and they say that’s what he did; the Ancestor Grandfather took the girls (from her) away to residential school. But what I can’t read anywhere, is whether he was a good man, looking out for the wellbeing of his little girls, taking them to the safety his money could afford before the Indian Agent took them somewhere else. Or whether he was not a good man, punishing her by removing her children, because she was less, and he wanted any trace of her culture removed from them who would carry his name.
It’s hard to think of him as evil. He was a man of his time, a man from a different world and mind, a man from the future, and moreover, he is a part of who I am now, in my genetic stuff, and it’s painful to think of him in any other way. When she was moved back to the reserve, he never married, and died young like they did back then, after receiving the Catholic Lord God on his deathbed. I don’t know more, but that they called him a ‘Pioneer’ of this city, he was one of the ‘Granville One Hundred’. I know somewhere I should feel pride muddled in with this confusion, but I just can’t get at it. It’s too tangled.
I hear Celestine cry.
In her small wooden house, I can see her there if I close my eyes. Chief Harry, her husband, is with her now, and she sits by the stove in her woven shawl made by her own sister’s hands, and I know she grieves for her little girls. She watches everybody’s children leave, taken, and wonders how they will all live on through the pain of these days. There is hopelessness all around and in the smoky air, but she doesn’t have a word for it. She remembers another time, that wasn’t so far back; when her laughing family collected salty mussels with the tides, and baskets of huckleberries and kelp and slippery fish.
With the cries of the children being torn from their parents came the dismantling of a future; child, by child, by child, by child, stolen away from loving arms. With those actions, the removal of children and self, and the giving of the label of worth in that new world – the dismantling became complete. Parts so destroyed and erased that there can be no putting back together now. Parts so faded away we can barely see them now even with the brightest light. We lost something, the connecting piece, the bridge to that generation gone silent, to that history not written.
The word of our day now is ‘reconciliation’. It’s a big word that means to ‘restore’, to put things back together. But how can you restore something that was never there? The two things were never together; the owners and the takers. Reconciliation means to find the common ground that was once shared, but where do you even begin to find that? The only common ground was the muddy one both my past and present walk on. It means to ‘make amends’, to ‘coexist in harmony’, but how do you do that if some people don’t even believe the truth of what happened?
I hear Celestine cry.
Reconciliation is a word I can’t get my head around; in my mind the word doesn’t line up with the correct action. I’m looking up words on that same page, the words that start with ‘R’; reconstruct, restore, renovate, revamp. All these words mean somebody doing something to fix something else. I think there is nothing to fix, the parts don’t connect, the old and the new, they never did fit together. In fact, the only ‘R’ word I can find that fits here is ‘respect’. Respect to the people who were so wronged. And a ‘C’ word, ‘compassion’ to people whose history has been erased. And an ‘A’ word, ‘apology’, and a ‘T’ word, ‘truth’, which has to come before all else can happen, it’s the most powerful word of all.
I want to say from the colonial me, the Ancestor Grandfather part of me: I’m sorry, I’m sorry, I’m sorry. I’m sorry we built our cities on the bones of your children without a second thought. I’m sorry we thought you less because we didn’t understand your words or ways. I’m sorry we were barbaric and destroyed your harmony. I apologize, and I see you now. I can’t change that past, but I see you now, please forgive me, and our ancestors, I don’t want to keep making their mistakes. Forgive us our trespasses. ‘T’ is for trespasses and ‘T’ is for truth.
I hear Celestine cry.
And from the Coast Salish First Nations me, it comes the way a steady drip of water rusts metal or eats through a ceiling after you have stared at the stain for some time, the drip, drip, drip of the past reaches us all, further down the line. Rich in a history that wasn’t ours, with no grounding but a life based on the hearsay of strangers in our homes, within the pages of that big, brown book with the golden cross on the hearth. Labeled and set in place there, were the half breeds that were my family. Truth.
The ‘half breeds’ who were measured and found wanting all down the generational lines. The half breeds who were even less, with no hope of repent simply because the union of egg and sperm was already deemed damaged goods in one God’s eyes. We were neither here nor there. We painted ourselves white, we renounced our families to fight in your wars, we told our stories in dim rooms to hide our color, we interpreted our language for you and yours to us but we still carry the emptiness of a history erased and we were born with a longing that can never be filled. We lived in between worlds and in between the lines. ‘Raised by nuns’ was always whispered in our family, but not in a reverent way, rather, a tearful-fearful one. This was our truth.
Dear Annie, Dear Mary, I wonder if those nuns ever held you when you cried for her in the night? I wonder if they ever said I love you Annie, and I love you Mary? I wonder what they said about your parents, I wonder how long it took for you to learn that you belonged in the world, or if you ever felt that? I wonder if you ever knew that you were without sin, that you did nothing wrong, that I am here now because you were there then? I wonder about the past a lot now that I can look so far back and read your names throughout our history? I wonder if you ever had a vague memory or feeling of loss or emptiness when you smelled pipe smoke or felt wet wool against your face or heard the neigh of a horse or rode in a carriage through the bumpy mud?
Now, I live where you lived and when I walk in the mud I look for a sign of you, that you were here too. And when the wind blows through the cedars above my head, there is always a sad sound mixed in, and I think that I can hear Celestine crying for her children.
Jennifer Ashton is an award-winning author and visual artist living in North Vancouver, B.C. She is the author of the prize-winning “Siamelaht” in British Columbia History in 2019 and of the recently released “People Like Frank, and Other Stories from the Edge of Normal” by Tidewater Press(2020).
- She is currently working on numerous projects including a book about the history of her family in the lower mainland. Jenn has also just completed a year as a Teaching Assistant in the Simon Fraser University’s Writer’s Studio and is now studying at the Harvard Graduate School of Education. Jenn is the current Writer in Residence at the BC History Magazine for the year 2021. JenniferAshton.ca
Alaa Al-Musalli
The Inconvenient Oath
I voted today – my first vote in 24 years, my first as a Canadian citizen. Ahmed and I braved the rain and waited in line for the doors to open. We were applauded by the staff as we walked in with the other much less enthusiastic voters. Being the responsible empath that I am, I beamed with excitement on everyone’s behalf. I whispering a tease, ‘If you only knew where I was the last time I voted!’
In 1995, Saddam Hussein decided to call for a vote to show off his popularity muscles. The dictator had driven his people through the trenches of an eight-year war with Iran, invaded Kuwait, then played Russian roulette with his American, European, and Arab exes in a World War conflict they called, The Gulf War. Living between the hammer and the anvil, we were half alive and not completely dead. The more the madman hammered, the more numb we became. The few who resisted or spoke against the regime were executed. Voting for him was an obligation, not a choice. There was one short question on the ballot, ‘Do you support His Excellency President Saddam Hussein?’ You were expected to tick “Yes”. Saddam’s demand for approval was just another reminder – pledge or perish.
I was 21 years old at the time. I had no interest in politics, and God forbid if I had an opinion in anything. My generation grew up pledging allegiance to Saddam in our morning assembly at school through prayer-like chants that praised him as the saviour of the Arab world. His pictures watched us from the walls of every classroom and office, and our school textbooks opened with a full-page portrait of him standing in front of the Iraqi flag. He was everywhere – watching.
On the day of the mandatory vote, Mom and I walked to the polling station. An official checked our IDs, gave us our ballots, and asked us to use the same booth.
“Stand close to me,” she said as she pulled me to the booth.
Before I picked up the pen to tick the expected “Yes” box, Mom pulled my ballot, placed it on top of hers, and ticked the “NO” box on both. The swift dance of the pen felt like a plunge on a roller coaster ride. I didn’t dare react. She basically signed our execution orders. All I could think of is getting to the ballot box.
“Walk behind me,” she whispered firmly.
Clutching both ballots in her hand, she walked towards the ballot box with a big grin on her face. She busied the people around the box with gibberish niceties, while she skillfully buried our ballots inside. We walked home exchanging smiles without uttering a word. Mom gifted me a spot with the 0.1% of Iraqis who dared to say “NO” that day – a “NO” that changed me.
Walking into the voting station today made me re-live that vote – the fear of being found out, the excitement of kicking a bully in the rear end, the feeling of having a choice, saying something with a simple tick. Regardless of who wins in the elections, I’m here and have a sharable political opinion – one that I’ve earned. My two citizenship applications to immigrate to Canada took nineteen years. The first failed attempt took five years, then we gave up for three and started a second application which took six years to process – then another five years of waiting here in Canada. By the time the citizenship test invitation arrived, we were drained. We had been studying for the test for years, but to make sure we got everything right, we ordered Discover Canada’s Study Guide. I was looking forward to reading it until I actually read it. It started with The Oath of Citizenship.
“I swear (or affirm)
That I will be faithful
And bear true allegiance
To Her Majesty Queen Elizabeth, the Second
Queen of Canada
Her Heirs and Successors
And that I will faithfully observe
The laws of Canada
And fulfil my duties as a Canadian citizen.”
I stared at the page for a few minutes – read the lines again and again, wondering why I was feeling so uncomfortable. The queen stared at me from a picture right next to the oath. The eerie resemblance of her pose in front of the British flag to Saddam’s pose in front of the Iraqi flag, her stare and the illogic of this rhetoric– an echo of the same insanity, those daily pledges to Saddam, all hit me like a speeding train. I realized that I had yet to earn my place in this country, that all the years of waiting and paperwork didn’t count. I had to show my worthiness to becoming part of a country by pledging allegiance to, not the country or its people, but to ONE human being.
“What’s all this about? Why haven’t we read this oath before?” I asked Ahmed.
“Welcome to Canada, habibi! What did you expect? They’re not gonna ask you to pledge allegiance to the Indigenous peoples! This is the last thing you need to do; just do it!” he said sternly.
The day of the ceremony, Ahmed was uncharacteristically quiet. I could tell he wanted the day to be over and done with.
“You know what,” I joked “I’m gonna take the oath but skip the queen’s name. Problem solved!”
“That’s called breaking the law! You will stand before a judge! Just take the oath as is and repent later.”
“OK, what if I said someone else’s name instead, like Sabbooha from that old Kuwaiti folk song? I love that song!” I start singing; he hummed along and laughed.
“So why Sabbooha? You’re not even Kuwaiti, habibi!”
“I’m not anything, habibi! Too foreign for Iraqis, and too Iraqi for foreigners.”
“You can’t break the law if your life depended on it. You’ve been trained to follow orders! Remember the regime that raised you.”
We got to the ceremony hall and waited with the other oath takers. Their faces told familiar stories.
“Please, wait here,” the elderly receptionist said slowly, as if he didn’t trust our understanding of basic English. He chose specific seats, pointed haphazardly at people and directed them like chess pieces; it made no sense, but we all played along. I was waiting for someone to shout ‘Checkmate!’
The doors to the ceremony hall were opened. We were finally there! We were directed to the front row; I noticed the judge’s platform, but I wasn’t ready to acknowledge it. There were a pile of papers on our seats and the Canadian flag; I picked it up and gave it a whirl. I didn’t want to look at anyone or anything. I closed my eyes, took a deep breath, kept it in to commemorate that moment, and exhaled as slowly as I could. Feeling relieved, I was ready to look at the platform.
AND there SHE was, the Queen of Canada, staring down at me through a picture frame right in front of my seat.
“Yield!” She said in her annoying British accent.
“Hell No!” I closed my eyes.
I kept my eyes shut to avoid her gaze. I tried imagining the picture wasn’t there. I summoned every living and dead person I knew to my rescue. I wanted to run out of the hall. When I was ready to open my eyes, I took refuge in other people’s faces and didn’t look in the direction of that picture.
“You’ve gone through so much to get here,” the judge said, “the last step to becoming a Canadian is taking the oath.”
We did what we were told – did it in French, too! They could’ve asked us to say anything; we would’ve said it. It was over. I was still standing.
It wasn’t the oath that got to me, and the queen’s picture turned out a mere distraction. It was that line in the anthem: ‘My home and native land.’ In an instant, I immigrated way into the past, to my grandmother’s kitchen. I saw my first memories as a child, the big window above the kitchen sink, splashing and playing with the sponge until my fingers wrinkled, looking down the drain in amazement at where all the water was going, Grandma serving food, kids running around, uncles and aunts still young and fun, uncle Ali shaving his beard at that kitchen sink before he went missing in Al-Muhamarah. That sink, my grandmother, the big window — that little spot of heaven 40 odd years ago, that was my native land. What on Earth am I doing here? I let out a loud cry and sobbed. Ahmed held me and continued to sing.
Flooded by all the memories, side-tracked by pictures, names, locations, words, and ghosts, I left the ceremony asking Ahmed if he heard me say the queen’s name, or not.
Alaa Al-Musalli believes that words have souls. Her background in Linguistics and fascination with discourse have made her very aware of the energy that words emit. She joined The Writers’ Studio to find the missing chapters of her first, and hopefully last, novel – a tribute to mothers in war zones, a project that has been brewing since 2011. She is both intrigued and terrified by what she might write. Will she ever finish her novel? Can she ever do her characters justice? Let’s wait and see!
Japhy Ryder
Different Rock, Same Story
“I call it the War on Words,” was the very first thing she said, almost as soon as I found her. Like she was some kind of space hermit, freshly emerged from behind her boulder. All ready to launch her new way of being on the waiting universe.
“It’s a war alright, Jonny,” I replied. Even as the name slipped out of my mouth, I felt a twinge of guilt. I know the terraforming laborers call her that, but I dunno if that means I have to.
To say she’d changed since our time together would be an understatement. Grubby loincloth padded out to look like there was something in there. Loose tunic over what must be a band of cloth holding flat her tiny breasts. Thighs skinny from malnutrition, no giving the game away there. Hair pointing out in all directions, bare feet half-hidden by the film of stardust covering the surface of this lonely rock.
Not the ideal setting for bringing out the feminine. Especially if the woman you’ve been hunting down for the last couple years is hiding out as a man.
Jonny held out a battered old gourd as if it contained the elixir of all life. Probably some relic from one of the old colonies with life modules. Which meant it had to have been kicking around the outer reaches of the solar system for a dozen years or more. No fucking way was I getting my lips around that.
I pushed her hand away roughly, taking a breath from my oxygen mask. “I’m the one who’s gonna be giving out the doses,” I told her. Trying to establish my authority.
She of course pretended she didn’t hear me. I didn’t really give a shit, I didn’t actually have to win her over, all they were interested in back at the Mental Health Commission is whether I could jab her in the arse. Which I planned on doing very soon.
But Johnny Chihuahua was still talking.
“At first, I decided to keep on writing newsletters for the sake of the rest of us hermits scattered across the stars,” she said. “Out of a sense of loyalty, you know? To create some sense of community, a way to atone for my desertion, if you like. As if there’s anyone left for a truly committed hermit to abandon …” Her words petered off into silence.
God knows, I’d felt some of that loneliness myself. As I scrabbled around in my pack trying to find the pre-loaded syringe, my bitter heart softened just a bit. No matter how you look at it, I was more like her than any of those fucks back at the Commission. Except I was still taking my meds. Although they wouldn’t have hesitated to set me loose if that changed.
Probably would do if I couldn’t get that runaway girl to come on home.
“But you know, Seamus,” she said after a while. “With nobody within a few light years to even read my writing, I thought I’d mix things up a bit. Thought I’d try typing in a white font instead. Just for a laugh.”
My fingers were still searching for the pre-loaded syringe. Fiddling around to strip off the protective packaging. I’d done it thousands of times before, back at home, but never with my hand inside a spacepack.
“White letters on a white page,” Jonny repeated, and not for the first time I wondered if this whole thing wasn’t just some enormous jape for her. “At first it seemed like a sweet idea,” she continued. “I could write quicker, there wasn’t so much need to edit myself all the time, and I could go straight from an idea to the printed page.
There, that was it, I’d done it. The naked syringe was in my hand, loaded and ready to go.
“But that first phase didn’t last long,” Jonny continued. She didn’t seem to have any idea of what was coming. At least that’s what I thought at the time, though I’ve since wondered if she was just pretending, if she knew exactly what I was up to.
“Pretty soon I decided to cut out the printing,” she said. “Not really much point since you wouldn’t be able to see the words anyway. There’s precious few readers out here, and besides, my stock of paper was getting low. You know they stopped sending out supplies right around about the time the hermit convention was cancelled?”
Jonny stopped to catch her breath, looked at me as if she was expecting some kind of answer. I don’t know how she managed to talk so fast. I also don’t understand how she found any sustenance in the air up there, my sensors had detected almost no atmosphere on the approach.
“How on Earth do you…” I said. “I mean how on Mars…” I was making a mess of it. But she was pulling me in. Tell you the truth, I let her. God knows she’d pulled me in enough times back in the day. Pulled me into her sweet embrace.
“How on this little asteroid did you imagine you were going to find more than one hermit to be together at a time?” I couldn’t help smiling at the absurdity of my question. She caught my smile, and offered it back. Despite her insane get-up, it was exactly the same smile we’d shared for ever.
Which is when I realized I loved that woman more than anything in this… In this… infinite void.
“So what I tried next,” she continued, picking up speed again. “Was to see if I could keep writing even if I lifted my fingertips off the keyboard.” She was looking into my eyes, her warm brown eyes were staring into mine and I was falling. Falling all the way back in.
“You know, trying to keep up the typing movements but not actually touching the keys,” she said with another big smile. “And you know what, I could do it! Much to my surprise, I found I could write even better than before. My output increased, and I found I could write almost as fast as I could think. Faster, maybe. I wrote some of my best novels during that period, twenty or thirty of them. I must dig them out sometime, I just can’t seem to remember where I put them. I used to worry it was amnesia, but now I’m learning to just let it go.”
I’ve never had a stirring down below when I’m looking at a man. That’s just the way I am, I guess. But now I was getting one. But my hand was still on my syringe. There was only one thing getting stuck into my former lover that afternoon, and it was a needle loaded with double-strength Rusparidone.
“Anyway, what I do now,” she said, seeming to catch up with herself again. “What I discovered in the end, is that I can get rid of the keyboard altogether. Recently I’ve found I can even stop moving my fingers. I just write, with the same white letters, but without the paper and without the keyboard. It’s so liberating!”
At this point Jonny became quite animated, almost cheerful. Dancing in front of me like some cosmic scarecrow, kicking up a plume of dust with her feet, it was probably the happiest I saw her in all the time I was there on that godforsaken little rock.
“And is that it?” I asked her, slowly drawing the syringe from my spacepack. “Is that really how you spend your days without me?”
“Sometimes I come out from behind my boulder,” she said, sinking to the floor once again, down on her knees. “I go looking, I go searching in the rubble for something He may have left behind. Some sign, some signal. A fingerprint maybe, or perhaps a footprint in the dust. Is it possible that he created all of this for us and yet left no instructions?”
Again she broke off her speech to sweep her hand around once more in a circle, to indicate the scope of her search, to suggest that this barren rock in its entirety comprised her world, her domain.
The stars glittered dimly in the background, a dismal backdrop to this battered dusty outcrop floating through space.
Jonny leaned forward, pressed her forehead against me and grasped onto my spacesuit like some desperate penitent. It was my moment.
I lifted the syringe ready for the stab.
Ready for the last betrayal of my lover with whom I once shared everything.
My body, my love, and even my dreams.
My wild, crazy dreams, of somewhere better than this.
I didn’t answer her question. To be more accurate, I couldn’t answer. I realized I was done. I was done with her obsessiveness, done with her denial, done with her wasted life. It was time to get it over with, time for us to be on our way.
But even though I didn’t answer, I thought about it. And in my contemplation, of whether He might have left some instruction for us, that’s when I missed her move.
Gently, almost lovingly, Isabella nudged me backwards. She must have known in advance, my spaceboots had become stuck in the mud beneath the fine layer of stardust, and I couldn’t step backwards. Slowly, slowly, slowly, like the derricks falling away from a rocket launch, I keeled over backwards and landed rather awkwardly arse-first in the dirt.
It wasn’t so bad, but I certainly didn’t feel the earth move.
Then as I looked up, I just about caught a glance. Of one little hermit skittering off into the distance, her steps leaving a trail of dust glittering against the blackness of the perpetual night.
Japhy Ryder is a bipolar author with a background in journalism whose writing has declined steadily from that highpoint of reliability. His fiction now explores possibilities that unfold when a bipolar or schizophrenic person is chosen as the protagonist of a story.
In recent days, he has become obsessed with the thought that it may not be possible to conclusively distinguish between fact and fiction, between what is real and what is not. In order to confront this challenge, his upcoming novel Hotel Amnesia is written entirely in the present tense, first person. Unfortunately, it’s unclear whether it’s the narrator or the author who is responsible (irresponsible?) for the repeated forays into science fiction, hallucination and apotheosis contained therein. japhy@japhyryder.net
japhyryder.net
- The piece about Piggy Farlust’s efforts to outpace words emerged from the author’s experiences with meditation. Once we’ve realized that not everything we think is “true”, that words might simply be transient mental phenomena moving through minds as clouds pass across the sky, then we’ve begun to challenge their hold on us.
Is our word-saturated society heading towards some kind of ultimate truth, constructed out of letters, words, sentences? Or are we moving ever further from a pre-literate Garden of Eden where we were naturally in commune with the Creator, the consequences of our choice to nibble at the forbidden apple yet to be revealed to us?
Karen Poirier
December 1940
The sky in overcast greys and deep charcoal waters, thick and desolate, blended and churned with the last glimmers of pale sunlight melting on the distant horizon. Foggy steam drifted upwards, a hazy breath steaming from the panting ship as it slipped through the water.
The gloom swallowed him and with a sickening heave his insides turned empty once again. Lloyd tasted the sour acid vomit that burned his throat and dried in his mouth. He was seasick, an unfamiliar suffering for a prairie farm boy who’d neither seen nor travelled on an ocean before. He’d found it impossible to adjust to the rise and fall of the troop ship he was travelling on as it raced through the furious North Sea. He gripped the moist white metal railing with large trembling hands. It was ice-cold, the cold of his youth. It was the kind of sharpness that crept through his heavy woolen uniform, chilling his sweating and shaking body. He took a deep breath and looked at his tremulous hands. They were wide and work hardened, now timid and empty.
He wished for an end to the dull sluggish malaise that engulfed him, an end to the sound of the damp ocean rising and falling, an end to the low hum of the ship’s engines, and an end to his struggling equilibrium that couldn’t adjust to the cumbersome movement beneath his feet. Filmy mist surrounded the shuddering shadow racing through the water. It felt like a tomb from which there was no escape. Fear and uncertainty mixed with nausea, and he craved solid land under his feet.
“Chow’s on, private,” came an authoritative voice behind him.
Lloyd straightened to a respectful stance. He hadn’t noticed the vague silhouette of Sergeant Williamson or heard his footsteps behind him. “Yes, sir,” he replied.
“Still having trouble with motion sickness, soldier?”
“Yes, sir.”
“Ask cook for a green apple. Works every time.” The sergeant turned abruptly and walked away towards the doorway of the mess hall.
“Yes, sir,” Lloyd answered almost to himself and he followed him to the stairwell leading to the lower deck. The soft ringing of his boots on the metal stairs cut through the air as he descended towards the mess hall. The sound of clattering dishes and the hum of conversation should have welcomed him to join them for dinner. It didn’t. The smell of roasting beef threatened to cause a new wave of vomiting but he held down the choking dry heave that bubbled up from his stomach.
“Where’ve you been, Lloyd?” Bob called from the crowded hall.
“Feeding the fish,” answered Lloyd.
“Fish’ll be happy.”
A round of chuckles rose up from the noisy diners. In contrast to the dim shadows on the deck of the ship, the bustling dining hall was brightly lit behind darkened windows and full of conversation as the soldiers took their places and were hungrily eating their evening dinner. Most of the young men had suffered sea sickness for the first few days they were onboard but had adjusted and were now cheerfully enjoying their meal. All except Lloyd.
He quickly found his way out of the mess hall and took refuge below in his cabin. He thought about their quiet and unexpected departure from St. John’s, Newfoundland on December 16, into frigid waters. They were travelling on the Pasteur, a luxury liner, sleek in the water, it’s black hull a contrast to the white decks and railings. It sported a single dark stack proudly stretching towards the sky. The French liner had been chosen for its size and speed as there was a need to transport troops to England as quickly as possible. They weren’t allowed the safety of a convoy escort through waters known to be patrolled by German submarines and Lloyd wondered if they could outrun enemy warships.
In the far distance, he had seen a small flickering silhouette of another troop ship heading for England. A similar ship was far behind the Pasteur. They moved together as though strung with a cable, a caravan of Canadian soldiers heading into the nefarious nightmare of a world war.
Lloyd removed his Highlanders woolen army tam covering his regulation buzz cut, a change from the longer wavy hair he’d worn last spring. After removing his jacket and rolling up his shirt sleeves, he stretched out in his hammock. The red striped grey woolen blanket warmed his back when he laid on it and the pillow welcomed his drowsy head. He’d been assigned a hammock in a cabin overflowing with soldiers and their gear. There were six men to a room with one toilet and one shower. Lloyd was hailed as the lucky one to have a small porthole beside his bed where he could see outside. Tonight, he just groaned, closed his eyes, then turned and looked the other way. The continual rising and disappearing horizon was like a fair-grounds ride that he just couldn’t get off of.
Bob, one of his bunk mates and a friend since they’d both trained at Camp Shilo, appeared in the small curved doorway.
“Here, drink this. You need to keep hydrated,” said Bob handing him a canteen full of water. Without answering, Lloyd took the khaki canvas canteen and unscrewed the top. He swallowed a mouthful, the cool water soothed his throat and helped to cleanse the foul taste in his mouth. “Drink lots. We need to keep you alive and healthy,” Bob continued.
“Beer’d be better.”
“You’ll have to wait till we hit land for that.”
After another gulp of water, Lloyd handed the canteen back to Bob, then sat up and faced him. A thin trail of smoke rose from the Sweet Caporal cigarette that Bob was holding in his other hand, its glowing red cinder twinkled in the grey room.
“That’s what I need,” said Lloyd.
“You got one?”
“Yeah, right here,” he said, gathering up his jacket and reaching for his pack of cigarettes in the front pocket. “Could use a light though.”
Bob put his burning cigarette into his mouth, then took a book of matches out from his pocket.
The sound of the match flicking active and the smell of sulphur filled the evening air. Lloyd bent forward for a light and breathed deeply, then exhaled a cloud of calming smoke. The continuous puffs seemed to carry a memory, one that linked him to the world he had left behind. Slowly, his hands stopped shaking and he relaxed into a meditative state.
As Bob settled into his own bunk, Lloyd finished his cigarette then pulled out a black and white photograph of a young woman from his shirt pocket. The tension in his face softened.
God, I miss her. I wish this journey was over and we were all back home again. If only we were going home….. home.
He rifled through his canvas duffle bag for a pen and a piece of paper. He wished he could tell her everything. His thoughts expressing his deep love for her, his apprehension of the future and his longing to return home were protectively held in a tight knot within him, camouflaged by his need to be strong.
In his slanted hand-writing he began.
My Dearest Olivene:
I’m so sorry we couldn’t spend Christmas together. Everything happened so fast there was no time to get in touch to let you know we were leaving. I didn’t even get a chance to say goodbye. I was hoping that we’d at least be able to celebrate the holidays before we were shipped out but I guess it just wasn’t meant to be. I miss you terribly. We’ve been seven days in rough seas and I have no idea where we are or where we are going. I fear only God knows where we are and He’s not telling anyone. Cheerio sweetheart and keep smiling.
Take care of yourself,
Love you forever, Lloyd.
On December 25, 1940, the Pasteur landed in Glasgow, Scotland, its pale and fuzzy coastline hidden behind dripping fog. The subtle sound of their boots ringing on the metal ramp, kept time with waves lapping against the pilings. Wind whipped canvas tarps on the deck of the boat and filled the wings of passing seagulls overhead. Lloyd and his fellow Camerons disembarked into the wintry atmosphere and began their tour of duty in Great Britain, a tour that would last for two and a half years.
Karen Poirier is a 2019 graduate of The Writer’s Studio program at Simon Fraser University and is currently finishing graduate studies in creative writing at SFU and completing her novel, One Thousand Days.
Her writing credits include three self-published books, Across a Prairie Sky, Ronald and Donald and Artworx for Kids. The three books were illustrated as well by Karen. Her short story, Fishing in the Alberni Inlet”is being published in an anthology containing short stories about the Alberni Valley.
- Her novel, One Thousand Days is a fictionalized story about a young soldier’s journey into World War II, his capture at the ill-fated Dieppe Raid and subsequent imprisonment and his long journey home at the end of the war. It is her father’s story, inspired by events related to her by her parents and supported by actual letters and documents saved by her mother.
Tene Barber
Vigil
The call comes on Tuesday, just before nine am. My mother has suffered a stroke or seizure and is unresponsive. Hope Family Hospital Resident’s Care Home warned me about this potential situation in a Message to Family email. During the Covid-19 crisis no visitors are allowed. The new safety requirements outline that any residents in the secured dementia residence will not be admitted to any hospital, for any reason. Should any of the cognitively impaired residents experience a serious health issue, palliative preparations will be made for a comfortable passing. I am the single family member allowed to sit vigil with my Mother and wait for her body to follow the path that her mind has previously taken.
I knew this day would come. Mom is eighty-five and the dementia has whittled her mind and body down to the sharpest point, where the last slivers of her being teeter. I watched the shavings pile up over the last six years, three of which were spent in this care home. I cried the first day she arrived at Hope Family. I brought her to a place where she is separated from roommates by light cotton curtains; where the smell of soiled diapers and old age permeate the yellowing paint; where stacked dinner trays are doled out down long corridors; where mushy peas and unidentifiable soup are covered by sweaty plastic lids. I have come to accept that this is where low-income pensioners with deteriorating minds and bodies spend the last of their days.
Standing in front of the large glass doors displaying the notice taped to door, NO ENTRANCE – COVID-19, I push the big red button unlocking the entrance to the brightly lit residential ward. A staff member sits just inside the door behind an old folding table, which is pulling double duty as working surface and barricade. I step across the threshold where all precautions begin. A young woman with long dark hair, donning a plexi-face shield, hospital mask, gown and gloves, rises to meet me and steps into the only opening leading to the ward.
“I’m here for Helen Barber, this is a palliative care arrangement.”
Gulraj, the Hospital’s social worker had briefed me on the instructions to provide upon my arrival.
“Put your briefcase on the table please”, the young woman muffled through her masks.
I follow her instructions, observing the sanitizing station, a box of masks and warning signs written in red shouting, No Admittance Beyond this Point.
“Step to the side please, I must take your temperature.” She points a temperature gun at my forehead. I can tell from the corners of her eyes that she’s smiling at me.
“Ok, I’m going to wipe you down, please hold your arms out to the side.” Her gloved hands work swiftly, moving sanitizing tissues along the fabric of my jacket, shirt, pants and shoes.
“Please clean your hands with this disinfectant. Put this mask on. Pinch it at the top for a nice snug fit.”
“Thank you,” I say. She moves on to cleaning my briefcase with more alcohol wipes.
The first squeeze of hand sanitizer burns into my open cuticles, that I’ve chewed down to the quick on my way here.
I see Gulraj, approaching from the main corridor that runs straight ahead from the front doors. She is a beautiful woman, both visually and spiritually. Of slight build, with dark rich hair, warm eyes and wide smile. She has a gift for managing difficult situations in the kindest of ways. Mom experienced difficult moments settling in and Gulraj managed both Mom’s and my emotional responses along the way.
“Hi Tene,” Gulraj says, as she approaches from the opposite side of the table.
“Hi Gulraj.” I respond. Our eyes connecting, silently acknowledging this difficult situation.
She had arranged all the FaceTime visits with Mom over the past months. The professional barrier was broken down in these virtual visits, as we worked together to familiarise Mom with the screen and hold her attention. This took singing, storytelling and a lot of Mom, Mom, look at the screen. We had braved this new world together and shared both the joys and the disappointments of Mom’s good and bad days.
“You’re clear,” the dark-haired young woman says. She and Gulraj nod at each other in silent gratitude.
Stepping forward, across the line, I feel fortunate to be here, yet hollow at the prospect of what lies ahead.
I’m here to bear witness of my mother’s untethering from this world.
As we walk the main corridor leading to Mom’s room, Gulraj is providing a recap of Covid-19 rules for as long as I’m on site. I can hear her, but my mind is on what lies ahead and in getting to Mom’s side. Walking into Mom’s room through the small entry passage I see the sink and new care supplies stacked on the counter. Folded hospitals gowns tell me that she no longer wears her own nightgown; an indicator of the level of care now required.
Mom lies on her back, head slightly turned toward the entry. I see immediately that she’s neither awake nor asleep; her slightly open eyes track side-to-side, much like the school of guppies in the fish tank down the hall, in the family room. Her once vibrant blue eyes are a pale wash. The age spots on her face look darker due to the sharp contrast with her pale skin. Her hair is freshly cut; someone has combed it. Touching the white curls, I lean to kiss her forehead.
“It’s me, Mom, Tene. I’m here with you.”
Her jaw opens and closes, as she works hard for the air that keeps her here. She’s covered in the quilt I made for her; bright patterns of daisies, spring flowers, doughnuts and turquoise.
“Hello Tene, I’m Dr. Frank. I’m glad you could be here.”
I turn to see the doctor entering the room. He looks like a golfer in his beige Dockers and navy polo shirt. Close cropped sandy hair and silver framed glasses. He begins to share what is needed, but all I can do is nod while looking to Mom’s hand that rests just out from under her blankets. Her tiny hand, with its paper-thin skin and knotted dark veins, is still recognizable to me, as memories of her crushing tomatoes, threading needles and caressing my face, flood over me.
While he shares theories on strokes, seizures and dementia itself, I drag a metal chair to Mom’s bedside. I sit and take her hand in mine. I can see her form under the blankets and know that she still has good weight on her. Her appetite had been healthy until a week before this crisis, when she lost her ability to walk. They found her completely unresponsive this morning.
“We’ll not find a hospital that will take her. The best we can do is make her comfortable.”
Coming back to the conversation I nod. It doesn’t matter what he has to say. There is so little of her left and how she would perceive her world after this injury is unknown. A part of me wants to hang on, to push for hospital care, but Mom’s journey with dementia has been awfully long and arduous, as parts of her brain began shutting down her ability to remember to eat and drink, clean herself or maintain her mobility, while amping up her levels of confusion, paranoia and aggression.
“We’ll put in PICC lines to administer hydromorphone and atropine. The first keeps her comfortable and breathing easy and the second keeps her lungs clear of liquids. Will you be staying with her?”
“Yes.”
“Will you be staying the night?”
“Yes, I’ll be here until…” I couldn’t finish the sentence.
“Okay, we’ll arrange to have a sleeping chair brought in for you. Typically, at this stage the end comes rather quickly. You’re looking at two-to-three days at most. It all depends on how hydrated she is.”
I nod again. I’m numb at this prospect.
“I know this is a lot to take in. Do you have any questions?”
“Not right now, thank you.”
He excuses himself and is gone. I sit on the metal chair holding Mom’s hand. In this moment I’m grateful for the single room where the care team insisted Mom move. She was kicking up quite a storm with her roommates. She watched her old John Wayne movies at top volume, while cursing the care aides who politely requested that she wear her headphones. She slowly amassed a collection of stuffed animals that didn’t belong to her; and she appointed herself protector of poor Mrs. Hon, a gentle and quiet lady thoroughly perplexed by Mom’s fixation with her. Upon arrival some days I could hear Mom yelling, you sons-of-bitches, you leave my friend alone.
But this morning, her brain is finally parked, like the sleep function on my laptop.
Only now there is no way to wake it up again.
Tene Barber is a creative non-fiction writer living in Burnaby British Columbia. She has enjoyed a twenty-seven-year academic career in the field of design and administrative leadership, and has published The Online Crit: The Community of Inquiry Meets Design Education. Her writing is influenced by lived experience, the female architype, and rites of passage. She is currently working on a series of short stories, as well as larger memoir projects.